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Following a solo presentation at the Palais de Tokyo, the first-ever digital commission for Serpentine Gallery, and a nomination for the PinchukArtCentre Future Generation Art Prize, Cécile B. Evans takes her internet and performance-based art to London’s Seventeen Gallery.
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https://artsy.net/post/editorial-up-and-coming-cecile-b-evans-and?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677

Cécile B. Evans and Her Avatar Would Like to Get to Know You (https://artsy.net/post/editorial-up-and-coming-cecile-b-evans-and?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)

By Francesca Gavin

Following a solo presentation at the Palais de Tokyo, the first-ever digital commission for Serpentine Gallery, and a nomination for the PinchukArtCentre Future Generation Art Prize, Cécile B. Evans takes her internet and performance-based art to London’s Seventeen Gallery.

» Read Article (https://artsy.net/post/editorial-up-and-coming-cecile-b-evans-and?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)
https://artsy.net/post/editorial-disruption-at-play-frieze-art-fair-becomes?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677

Disruption at Frieze: When the Art Fair Becomes the World’s Stage (https://artsy.net/post/editorial-disruption-at-play-frieze-art-fair-becomes?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)

By Marina Cashdan and Molly Gottschalk

Galleries at Frieze London and Frieze Masters raise the bar this year with disruption, curation, and collaboration where the booth becomes a stage.

» Read Article (https://artsy.net/post/editorial-disruption-at-play-frieze-art-fair-becomes?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)
https://artsy.net/post/editorial-pulling-painting-from-its-living-death-at?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677

Pulling Painting From its “Living Death” at RH Contemporary (https://artsy.net/post/editorial-pulling-painting-from-its-living-death-at?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)

By Molly Osberg

The New York exhibition of four abstract artists offers proof that painting’s potential has survived its oft-proclaimed collapse.

» Read Article (https://artsy.net/post/editorial-pulling-painting-from-its-living-death-at?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)
https://artsy.net/post/andrea-carson-barker-the-canadian-art-market-all-grown-up?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677

The Canadian Art Market, All Grown Up, With Toronto at Its Center (https://artsy.net/post/andrea-carson-barker-the-canadian-art-market-all-grown-up?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)

By Andrea Carson Barker

With two major art fairs this month, local showcases, and budding collectors, Toronto takes its place as a key cultural player.

» Read Article (https://artsy.net/post/andrea-carson-barker-the-canadian-art-market-all-grown-up?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)
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With a New Series at White Cube, Etel Adnan Reflects on Her Art’s Origins (https://artsy.net/post/editorial-with-a-new-series-at-white-cube?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)

By Tess Thackara

On the heels of an extraordinary few years, Lebanese poet, philosopher, and painter considers the essence of her practice.

» Read Article (https://artsy.net/post/editorial-with-a-new-series-at-white-cube?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)

1: Portrait of Cécile B. Evans from Johannes Fricke Waldthausen’s interview with the artist in 2013. (https://artsy.net/post/johannesfrickewaldthausen-interview-with-cecile-b-evans?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677) 2: Photograph by Linda Nylind. Courtesy of Linda Nylind/Frieze. (https://artsy.net/post/editorial-disruption-at-play-frieze-art-fair-becomes?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677) 3: Installation view of “Refik Anadol, Jason Gringler, Bas van den Hurk, Gijs van Lith,” 2014. Courtesy RH Contemporary Art. (https://artsy.net/show/rh-contemporary-art-refik-anadol-jason-gringler-bas-van-den-hurk-gijs-van-lith?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677) 4: Jennifer Marman and Daniel Borins, Pavilion of the Blind, 2013. Courtesy Cristin Tierney and the artist. (https://artsy.net/artwork/jennifer-marman-and-daniel-borins-pavilion-of-the-blind?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677) 5: Etel Adnan, Untitled, 2014. Courtesy White Cube and the artist. (https://artsy.net/artwork/etel-adnan-untitled-28?utm_source=Current+Users&utm_campaign=cc965dc1cd-Weekly+email+%23162_Editorial4&utm_medium=email&utm_term=0_c67eb1f0a4-cc965dc1cd-413789677)
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