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Following their 2013 video of the same name, millennial collective BHQF continue to mine inspiration from Arnold Böcklin’s seminal Isle of the Dead, installing an entire show’s worth of radical, almost radioactive variations on the 17th-century painting.
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https://artsy.net/post/editorial-history-repeats-itself-in-the-bruce-high?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677

History Repeats Itself in the Bruce High Quality Foundation’s Apocalyptic Landscapes (https://artsy.net/post/editorial-history-repeats-itself-in-the-bruce-high?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)

By Alexxa Gotthardt

Following their 2013 video of the same name, millennial collective BHQF continue to mine inspiration from Arnold Böcklin’s seminal Isle of the Dead, installing an entire show’s worth of radical, almost radioactive variations on the 19th-century painting.

» Read Article (https://artsy.net/post/editorial-history-repeats-itself-in-the-bruce-high?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)
https://artsy.net/post/editorial-carrie-mae-weems-explores-the-influence-of?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677

Carrie Mae Weems Explores the Influence of Perception on History (https://artsy.net/post/editorial-carrie-mae-weems-explores-the-influence-of?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)

By Emily Nathan

Weems’s first solo exhibition in the UK showcases her ability to subvert race and gender stereotypes through a carefully curated selection of works, including her career-defining “Kitchen Table” series.

» Read Article (https://artsy.net/post/editorial-carrie-mae-weems-explores-the-influence-of?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)
https://artsy.net/post/editorial-david-lynch-continues-to-haunt-american-culture?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677

David Lynch Continues to Haunt American Culture, Onscreen and On Canvas (https://artsy.net/post/editorial-david-lynch-continues-to-haunt-american-culture?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)

By Maxwell Williams

Unbeknownst to most, filmmaker David Lynch originally trained as a painter, and continues to create artworks as haunting as his moving images.

» Read Article (https://artsy.net/post/editorial-david-lynch-continues-to-haunt-american-culture?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)
https://artsy.net/post/editorial-lombard-freid-gallery-displays-revolutionary-erotic-paintings?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677

Lombard Freid Gallery Displays Huguette Caland’s Revolutionary Erotic Paintings (https://artsy.net/post/editorial-lombard-freid-gallery-displays-revolutionary-erotic-paintings?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)

By Sola Agustsson

Huguette Caland’s abstract paintings transmit a subtle but unmistakable sensuality, whether of soft figures tangled up in each other or emblazoned on couture caftans.

» Read Article (https://artsy.net/post/editorial-lombard-freid-gallery-displays-revolutionary-erotic-paintings?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)
https://artsy.net/post/editorial-52-artists-tackle-environmental-degradation-techno-cultural-change?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677

A Peaceful Island Nation Plays the Unlikely Host to a Dystopic Biennial (https://artsy.net/post/editorial-52-artists-tackle-environmental-degradation-techno-cultural-change?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)

By Sam Gaskin

This year’s Taipei Biennial examines the so-called ‘Anthropocene’—an era in which humankind has become the most powerful force in our world—and the effect this has on the contemporary individual.

» Read Article (https://artsy.net/post/editorial-52-artists-tackle-environmental-degradation-techno-cultural-change?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)

1: Bruce High Quality Foundation, Isle of the Dead, 2014. Courtesy McClain Gallery. (https://artsy.net/artwork/bruce-high-quality-foundation-isle-of-the-dead?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677) 2: Carrie Mae Weems, Constructing History: Mourning, 2008. Courtesy Pippy Houldsworth Gallery and the artist. (https://artsy.net/artwork/carrie-mae-weems-constructing-history-mourning?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677) 3: David Lynch, Red Black Yellow Table Lamp, 2011. Courtesy Kayne Griffin Corcoran and the artist. (https://artsy.net/artwork/david-lynch-red-black-yellow-table-lamp?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677) 4: Installation image of "Huguette Caland: Early Works 1970-85" courtesy Lombard Freid Gallery. (https://artsy.net/show/lombard-freid-gallery-huguette-caland-early-works-1970-85?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677) 5: Jonah Freeman & Justin Lowe, Octopus Spa, inside “The Floating Chain Fake Wall,” 2014; Mixed media; dimensions variable. Photo: Sam Gaskin. (https://artsy.net/post/editorial-52-artists-tackle-environmental-degradation-techno-cultural-change?utm_source=Current+Users&utm_campaign=7f9263500b-Weekly+email+%23169_Editorial7&utm_medium=email&utm_term=0_c67eb1f0a4-7f9263500b-413789677)
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