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Takashi Murakami mounts a visual feast of apocalyptic imagery at Gagosian’s 24th Street gallery, replete with a life-size replica of an ancient Japanese gate and towering wrathful deities—and brimming with his signature “superflat” anime creatures and shiny balloon figures.
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https://artsy.net/post/editorial-murakami-misinterprets-history-in-a-psychedelic-sprawl?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677

Murakami’s Psychedelic Sprawl at Gagosian (https://artsy.net/post/editorial-murakami-misinterprets-history-in-a-psychedelic-sprawl?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)

By Tess Thackara

Takashi Murakami mounts a visual feast of apocalyptic imagery at Gagosian’s 24th Street gallery, replete with a life-size replica of an ancient Japanese gate and towering wrathful deities—and brimming with his signature “superflat” anime creatures and shiny balloon figures.

» Read Article (https://artsy.net/post/editorial-murakami-misinterprets-history-in-a-psychedelic-sprawl?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)
https://artsy.net/post/editorial-guggenheim-curator-katherine-brinson-on-choosing-the?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677

Guggenheim’s Katherine Brinson on Choosing the Winner of the 10th Hugo Boss Prize (https://artsy.net/post/editorial-guggenheim-curator-katherine-brinson-on-choosing-the?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)

By Halley Johnson

We asked curator Katherine Brinson how the jury decides which artists will be in the running for the $100,000 prize—and what it takes to choose a winner like this year’s recipient Paul Chan from the shortlist.

» Read Article (https://artsy.net/post/editorial-guggenheim-curator-katherine-brinson-on-choosing-the?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)
https://artsy.net/post/editorial-retired-artist-maurizio-cattelans-new-position-non-curator?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677

Retired Artist Maurizio Cattelan’s New Position: “Non-Curator” (https://artsy.net/post/editorial-retired-artist-maurizio-cattelans-new-position-non-curator?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)

By Molly Gottschalk

Artsy caught up with the retired, famously irreverent artist about curating a new exhibition in Turin, Italy, which combines the work of 60+ artists with objects pulled from unconventional collections throughout the city.

» Read Article (https://artsy.net/post/editorial-retired-artist-maurizio-cattelans-new-position-non-curator?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)
https://artsy.net/post/editorial-jonathan-yeos-powerful-prints-inaugurate-lazarides-editions?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677

Jonathan Yeo’s Powerful Prints Inaugurate Lazarides Editions (https://artsy.net/post/editorial-jonathan-yeos-powerful-prints-inaugurate-lazarides-editions?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)

By Amanda Sarroff

Lazarides Editions launches with a retrospective of Yeo’s experimental printmaking techniques, a phase of the artist’s practice initiated by his infamous unauthorized, pornographic portrait of George W. Bush in 2007.

» Read Article (https://artsy.net/post/editorial-jonathan-yeos-powerful-prints-inaugurate-lazarides-editions?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)
https://artsy.net/post/janet_yoon-history-and-passion-in-a-retrospective-of?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677

History and Passion in Marlene Dumas’s Provocative Portraits (https://artsy.net/post/janet_yoon-history-and-passion-in-a-retrospective-of?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)

By Janet Yoon

In “The Image as Burden,” the prolific painter’s first major show in the Netherlands in two decades, Dumas’s expressive portraits transcend their politicized subject matter.

» Read Article (https://artsy.net/post/janet_yoon-history-and-passion-in-a-retrospective-of?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)

1: Photo by Shin Suzuki. Artwork © Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Gagosian Gallery. (https://artsy.net/post/editorial-murakami-misinterprets-history-in-a-psychedelic-sprawl?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677) 2: Camille Henrot, Involuntary Adjustment, 2014. Courtesy Johann König. (https://artsy.net/artwork/camille-henrot-involuntary-adjustment?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677) 3: Maurizio Cattelan portrait by Giorgio Perottino. (https://artsy.net/post/editorial-retired-artist-maurizio-cattelans-new-position-non-curator?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677) 4: Jonathan Yeo, Bush, 2007. Courtesy the artist and Lazarides Gallery, © Jonathan Yeo, 2008. (https://artsy.net/artwork/jonathan-yeo-bush?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677) 5: Marlene Dumas, The Wall, 2009. © Marlene Dumas, photo: Peter Cox. Image provided by The Stedelijk Museum. (https://artsy.net/artwork/marlene-dumas-the-wall?utm_source=Current+Users&utm_campaign=42df4a5217-Weekly+email+%23175_Editorial9&utm_medium=email&utm_term=0_c67eb1f0a4-42df4a5217-413789677)
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